New York Times Ronald O Perelman Performing Arts Center 911
Male monarch
Card
THE RONALD O. PERELMAN PERFORMING ARTS CENTER AT THE Earth Merchandise CENTER
New York, New York
KEY AWARDS The Chicago Archives American Architectural Award, 2021; Architizer A+ Awards, Winner in the Unbuilt Cultural Category, 2019; German Blueprint Award, Special Mention in Architecture Category, 2018;Architect's Newspaper, Best of Design Honour in Civic Category, 2017;Architect, Progressive Architecture Honour, 2016; World Architecture News, Civic Buildings Award, 2016
CLIENT The Ronald O. Perelman Performing Arts Center at the World Trade Center
Program Performing arts center, including three auditoria (499-, 250-, and 99-person) which can combine to form seven boosted proportions, and a rehearsal room—all eleven of which can adopt manifold phase-audience configurations; flexible front- and back-of-house circulation that can create various patron entry/intermission/get out processions; and (A-Z) offices, performer support spaces, and restaurant/bar
Area 11,800 one thousand² (127,000 sf)
Price Confidential
STATUS Invited contest 2014; first prize 2015; commenced construction 2018; completion expected 2022
DESIGN Builder REX
PERSONNEL Dylan Bachar, Wanjiao Chen, Adam Chizmar (PL), Maur Dessauvage (PL), Nazli Ergani, Alysen Hiller Fiore (PL), Sebastian Hofmeister, James Killeavy, Claire Kuang, Kirby Liu, Weronika Marciniak, Joshua Ramus, Raul Rodriguez, Emma Silverblatt, John Sng, Vaidotas Vaiciulis, Xuancheng Zhu
Contest TEAM Giannantonio Bongiorno, Adam Chizmar (PL), Alberto Cumerlato, Mahasti Fakourbayat, Alysen Hiller Fiore (PL), Gabriel Jewell-Vitale, Min Kim, Dominyka Mineikyte, Elizabeth Nichols, Joshua Ramus, Raúl RodrÃguez GarcÃa, Michal Sapko, Emma Silverblatt, Elina Spruza Chizmar, Michele Tonizzo, Vaidotas Vaiciulis, Michael Volk, Cristina Webb
EXECUTIVE ARCHITECT Davis Brody Bond
CONSULTANTS Arup, Atelier Ten, CCI, Charcoalblue, Price Plus, Ducibella Venter & Santore, Entro, Front, Jaros Baum & Bolles, Jenkins & Huntington, Magnusson Klemencic, Rockwell Group, RWDI, Silman, Thornton Tomasetti / Weidlinger, Threshold, Tillotson, Wilson Ihrig
CONTRACTOR Sciame
On the most pregnant site in New York Metropolis, The Ronald O. Perelman Performing Arts Center at the World Trade Center (The Perelman Center) volition produce and premiere original works of theater, dance, music, flick, and opera, transforming Lower Manhattan into a vibrant, global cultural heart. Its concept embodies the Center'south aim to defy experiential expectations, provide unparalleled flexibility, foster artistic chance, deliver the most technologically advanced and digitally connected spaces for creative performance, and engage the local community. The keystone and final piece of the World Trade Center master program, The Perelman Center embraces creation and retention with respectful individuality.
Amidst gleaming glass towers on the northward side of the 9/11 Memorial, The Perelman Eye is a pure form, rotated and elevated to accommodate circuitous beneath-grade constraints, accost the 9/11 Museum and transportation hub, and appoint the site's primary pedestrian streets of Greenwich and Fulton.
Among gleaming glass towers on the north side of the 9/11 Memorial, The Perelman Center is a pure form, rotated and elevated to adjust circuitous below-grade constraints, address the 9/11 Museum and transportation hub, and engage the site's chief pedestrian streets of Greenwich and Fulton.
The building is wrapped in translucent, veined marble laminated within insulated glass. Past day, the book is an elegant, book-matched stone edifice, whose simplicity and traditional material admit the solemnity of its context.
Façade particular: The Perelman Eye's façade consists of three ft 10 v ft, translucent stone panels integrated into insulated glazing and supported from long span, exposed steel mullions. This uninterrupted veil provides thermal, acoustic, security, air, and h2o infiltration performance, while allowing light to diffuse through in both directions.
Daylight illuminates the interior through the marble façade.
By night, this monolith dematerializes: silhouettes of human motility and theatrical configurations breathing the glowing enclosure, an invitingly subtle revelation of the creative energy inside. While the building'southward pristine exterior befits the site,…
…its muscular, utilitarian interior expresses the workhorse quality necessary for the changing nature of The Perelman Eye's artistic needs. Steel walls, concrete trusses, wood floors, perforated plywood panels, and other ruggedly beautiful materials encourage the frequent transformation of scenery, stage-audition configurations, and even the restaurant/bar and entrance hall. The edifice'southward material duality—elegant exterior and robust interior—…
…forms 'The Rough in a Diamond.'
The Perelman Center is organized in three levels—Public (bottom), Performer (middle), and Play (top).
The Perelman Middle is organized in three levels—Public (lesser), Performer (center), and Play (top).
The layout and character of the Play Level bulldoze the blueprint of the entire edifice.
The Play Level is a pioneering, highly adaptable operation palette that combines both multi-form and multi-processional flexibility.
It holds three auditoria (499-, 250-, and 99-person) and a rehearsal room which can double as a fourth venue.
Using big, acoustic, guillotine walls that separate them, the three auditoria can be combined to class 7 boosted, unique functioning spaces, for a total of xi arrangements—including the rehearsal room venue—…
…which can all prefer manifold stage-audience configurations.
Shown hither: an example of four different stage-audience configurations in the Play Level 'base' arrangement (499-, 250-, and 99-person auditoria and rehearsal room)
Model with examples of various stage-audience configurations on the Play Level, with auditoria in three different formations
On the perimeters of the rehearsal room and the 250- and 99-person auditoria, acoustic glass walls with integrated black-out blinds provide natural light into performances and rehearsals, and enable these rooms to be rented for events.
Rehearsal room with integrated blackness-out blinds lifted to provide natural light
Directors can further choreograph the audience's entire feel through a zone of mutability around the auditoria. Acoustic doors between scene docks, scene assemblies, and a circulation loop at the floor's periphery allow directors to apportion whatever of these areas every bit front- or back-of-house, and to course unexpected lobbies and performance ante-chambers. Also key to these permutations, baffles pivoting from the auditoria's exterior walls can function every bit traffic valves to directly the audience into or by an auditorium'south entrance, or block admission to anyone but performers. And finally, the four elevator/stair couplets can be used individually or in combination, creating unexpected admission sequences from the lobby to the auditoria in any of their varied formations.
As a result of this immense flexibility, the Play Level is a constant source of surprise for patrons, …
Yellow = patrons / front-of-house
Blue = performers / dorsum-of-house
• Closed acoustic door, closed baffle, and open up sound & light lock straight patrons into an auditorium.
• Closed acoustic door, open baffle, and closed audio & light lock guide patrons around an auditorium.
• Open up acoustic door, open baffle, and several open up sound & light locks ascertain zone solely for performers' entry, preparation, and apportionment.
• 4 open audio-visual doors, open bamboozle, and open sound & low-cal lock define auditorium perimeter as an intermission infinite.
• Open acoustic door, closed baffle, and several open sound & low-cal locks create dues-chamber for pause of disbelief.
• Open audio-visual door, airtight baffle, and closed sound & light lock merge stage and public areas.
• 499-person auditorium / theater-in-the-round configuration / theater performance
• 499-person auditorium combined with scene dock / end-phase configuration / moving-picture show screening
• 499-person auditorium combined with scene dock and 250-person auditorium / terminate-stage plus back stage configuration / dance performance
• 499-person auditorium combined with scene dock and 250-person auditorium / deep stop-stage configuration / rock concert
• 250-person auditorium / traverse configuration / theater performance
• 250-person auditorium combined with scene dock and 99-person auditorium / apartment floor configuration / immersive art bear witness
99-person auditorium / thrust configuration / 'cavern'- and hologram-supported theater performance
…a 'Mystery Box' whose experiences are scripted entirely by each director's imagination.
Correct below the Play Level, the Performer Level contains all back up areas for performances and artists, such as trap, dressing rooms, green room, musician room, quiet room, wig storage, and costume store. Artists have directly, private access to the Play Level via a dedicated lift/stair couplet, or—if blurring the line between performer and patron is desired—the other three public couplets.
Unlike most functioning venues which identify performer and other dorsum-of-house areas below grade, artists are at the core of The Perelman Center, with generous accommodations and daylight filtered through the 'stone-glass' facade.
In contrast to the ticketed areas of the Play Level and the secure areas of the Performer Level, the functions of the Public Level tin can be enjoyed by anyone, anytime. This floor includes a lobby with information desk and glaze cheque, and a restaurant/bar that can transform into a cabaret, a dance podium, a performance art space, or a 'living room' for Lower Manhattan community events such as voting. The eating place/bar—used for refreshments during performance intermissions—extends northward to an exterior terrace with views over the new sculpture garden nestled between The Perelman Middle and World Merchandise Center Tower 1.
• Restaurant/bar in daytime configuration
• Eatery/bar in performance intermission configuration with exterior terrace in groundwork
• Restaurant/bar in customs cabaret configuration
The Perelman Center'due south outside staircase brings theater patrons and visitors from the lobby back down to the street beneath. Half this grand stair offers generous seating for people who want to linger, picket the bustling city effectually, …
The Perelman Center's exterior staircase brings theater patrons and visitors from the lobby back downwardly to the street below. One-half this grand stair offers generous seating for people who want to linger, watch the bustling metropolis around, …
…or contemplate the beautiful memorial across the way.
With its artistic freedom, openness to the community, pure form, and material duality, The Perelman Center galvanizes the culture of New York Urban center's lower downtown, and asserts its place amid the World Trade Center'due south constellation of world-course buildings.
With its artistic freedom, openness to the community, pure form, and material duality, The Perelman Center galvanizes the culture of New York City's lower downtown, and asserts its place amidst the World Trade Middle'southward constellation of world-class buildings.
Paradigm Credits: 1, 2, 5, 7, 8, ix, 10, xx, 23, 24, 25, 26, 27, 31, 32, 33, 35: Luxigon; 3: DBOX; half-dozen: Front; 12, 18: Chris Janjic; 36: K18
(/) Prev / Adjacent
shermanitardarand.blogspot.com
Source: https://rex-ny.com/project/the-perelman-wtc/
0 Response to "New York Times Ronald O Perelman Performing Arts Center 911"
Post a Comment